They don’t have access to all knowledge, all information, and all other machines, in the way that Ultron and, to a lesser extent, Vision did. When you get into trust, that’s when things get emotional.īELL: They’re not omniscient. Obviously, we want to not just tell scare stories of things popping out of closets, but emotional stories. It’s much worse when you don’t know if the person next to you is the person next to you.
Trust is always an issue in a spy organization. WHEDON: And there are issues of reality and identity. WHEDON: Trust will definitely come into play.īELL: Any time you do a spy show, secrets and trust are bread and butter, but I hope we’re doing it in a different way and we’re not really coming at it, specifically, from that issue so much as who you are, what you want, and what makes you who you are. We do think you’ll come into the next section and immediately feel like, “Oh, this is a different kind of story.” So, we’re excited about that.Īre you revisiting the issues of trust from the HYDRA storylines with the LMDs? In terms of how it will feel and how big of a transition it will be, we want everything to feel like its own mini-world and to have its own flavor. And as we move into the second pod, there’s another one in play, which is something that we’ve been wanting to get to and now we’re finally able to get to. WHEDON: I feel like, this year, we’re getting to play with a lot of the toys that we were hoping to play with. And then, something happens and we rise somebody new, and in the second half, we pay that off. So, the last couple of seasons, we’ve had a nice break between the two, which allows us to introduce a big bad. Twenty two episodes is a long time to hold a big bad or a single plot line, especially for an audience, because you just build up so much weight in so many things. Sometimes they go, “You can have Left-Handed Man.” This last year, we said, “We’d really like to do something special.” And they said, “How about Ghost Rider?” And we were like, “He’s cool, but does he fit in our world?” And we felt that he does.
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We have to deal with the movie people and the television people, and we all negotiate for what we get. We came out with Ghost Rider, which had a lot of fire and cars. JED WHEDON: We’re breaking it into smaller chunks, so that we try to make it feel different. EDT), on The ABC Television Network.Question: What kind of shift can we expect to see from the transition between the Ghost Rider storyline and the LMD storyline? "Farewell, Cruel World!" - The clock is ticking for Daisy and Simmons to get the team out of the Framework, but not everyone is ready and willing to leave, on "Marvel's Agents of S.H.I.E.L.D.," TUESDAY, MAY 2 (10:00-11:00 p.m.
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